Title/Year: “Citizen Kane” - 1941
Director: Orson Welles- May 6, 1915 - Kenosha, Wisconsin
Budget: $686,000 (Estimated)
Gross: $1.5 million
Synopsis: A reporter becomes obsessed with finding the
meaning of the final words of a publishing giant…”Rosebud.”
Narrative/Visual Key Words: Rosebud, Newspaper, Death,
Obsession, Mystery, Drama
Characterization/Dialogue: A reporter tries to decipher the
final words of Charles Foster Kane, a publishing tycoon. As the reporter digs
deeper into Charles Foster Kane, he learns of his rise to fame and fortune, and
his fall from the top.
Camera/Lighting: The film is presented in Black and White.
The cinematography by Gregg Toland is beautiful and way ahead of its time. The
low angles are stand out.
Social/Political Commentary: The films central character is
based on William R. Hearst, who was a newspaper publishing giant. Orson Welles
and Hearst feud over the making and release of “Citizen Kane” is probably the
biggest in Hollywood history. Hearst claimed that the film basically showed him
in an ill light; meanwhile, Welles fought the studio over final creative
control and release.
Historical Relevance: The film is considered the Greatest
Film of All time by many, including American Film Institute. Won Oscar for Best
Original Screenplay, Nomination for Best Director
Notable Collaboration: Writer Herman Mankiewicz
Random Fact: The opening title card has no music accompanying
it, briefly.
How would you classify the visual
aspects of this film in relationship to theme or mood? I think that the visual aspects really
complement the film as a whole. The camera and lighting really give the film
the sense of mystery and foreshadow. The low angles really elevate the dramatic
scenes to a larger than life quality, heighten tension.
Does sound play an important role in the piece? The sound much like the cinematography was top notch all the way. There was nothing I didn’t hear, had a lot of detail in the sound design.
Does sound play an important role in the piece? The sound much like the cinematography was top notch all the way. There was nothing I didn’t hear, had a lot of detail in the sound design.
What is your subjective take on the
piece as a whole?
Having heard so much about this film over the years, I really didn’t know what
to really expect at this point. But what I take away from the film is Orson
Welles’ performance and the incredible cinematography. Those two elements
really knocked me out overall. I can see why it can be considered the greatest
of all time, I’m not sure I would totally agree. It should most definitely be
in the top 100, no question.
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