The Life-Aquatic

Andrew Marvin

Title/Year: “The Life-Aquatic” - 2004
Director/Birth Country/Year Born: Wes Andersen/May 1, 1969- U.S.A
Budget: $ 50 Million
Gross: $ 24 Million
Synopsis: Bill Murray plays Steve Zissou, an oceanographer/Filmmaker whose partner is killed by a mysterious shark known as “The Jaguar Shark.” Steve Zissou and the rest of his “crew” set out to kill the elusive shark. Along the way, Zissou meets Ned, played by Owen Wilson. Ned and Steve develop a close, father/son- like bond.
Narrative and Visual Keywords: Quirky, eccentric, funny, colorful.
Characterization/ Dialogue: Quirky, eccentric characters and dialogue. Somewhat poetic at times. whimsical.
Camera/lighting/editing technique: Shots are pretty straight forward, good lighting, fits mood and tone well.
 Political/ Social Commentary:
Historical Relevance/ Recognition: 3 Wins, 8 Nominations
Notable Collaboration: Noah Baumbach and Owen Wilson

1. "Notice factor." Why was their first film received well- what set it apart from other films being released. Essentially, what made these now mainstream directors seem fresh upon their first release? Even though “Bottle Rocket” bombed at the theaters, it was  well received critically. I believe what set it apart from other films at the time was its originality. The writing was quirky and eccentric in ways not seen before. The off –the- cuff, rant-like dialogue. Plus, it marks the debut of the Wilson brothers, Luke and Owen.

2. "Emerging Talent" What signature stylistic tendencies are apparent even in work that is embryonic? The writing and types of shots used. Wes Andersen’s work is always character driven, but all characters are often eccentric but humorous. He likes shots that are straight forward. Characters look straight at the camera.

3. "Evolution of Vision" Has the vision of the director become evolved/ integrated or dispersed/ unidentifiable. I think he’s evolved. His stories are all similar in type, about family issues. But the tone has gotten more dramatic. “The Royal Tenebaums” and ‘The Darjeeling Limited,” are good examples.

Personal: Do you prefer this director's early works or later works? I’m not sure which I prefer. Sometimes I find Wes Andersen’s work a bit too quirky and eccentric. I think “Darjeeling” is my least favorite, and “Royal Tenebaums” and “Life-Aquatic” are his best.

Sources: IMDB